|
|
Slurs
The materials on the previous page introduced two
of the three components of letter analysis; letter names and roman numerals.
Now let's add the final component to put the complete system together.
One of the strongest forces that drives music is harmony. In macro analysis
we illustrate this motion by using slur markings. Draw a solid slur when chord
roots move by either an ascending fourth or a descending fifth, and a dotted
slur for chord progressions involving leading-tone chords. Even though the vii° chord
can function in the same manner as the V, it is not a true V chord, so we mark
it with a different type of slur. Attach these slur markings to the letter names
representing each chord (letter names were discussed on the previous page). Thus,
the system is made up of three components which together form the two lines of
the analysis system. These components appear in the following order under the
music score:
Component |
Notation |
Position |
Purpose |
1 |
Letter |
Line 1 |
States the pitch name of the chord. |
2 |
Slur |
Below line 1 |
Shows harmonic motion. |
3 |
Roman numerals and inversions |
Line 2 |
Illustrates relationship to tonic. |
|